Past Forward – Leela Samson Spanda Group

The multicultural festival of Parramasala 2017 held between 10 March to 12 March auspices, acclaimed and internationally reputed dancer choreographer, Leela Samson.

Produced by Amaks International and Spanda Group – Leela Samson and her group of 4 dancers shall perfom in Sydney on :

Saturday, March 11th 2017



Riverside Theatre, Parramatta.

A show that should not be missed.

TICKETS: Hema Rao on 0402 380 425.

Join the SPANDA group for a Lecture Demo on Sunday 12 March 2017 at 12:30 at Prince Alfred Park Parramatta as part of the Parramasala Festival 2017

Past Forward is a body of creative work by Leela Samson. It depicts an inward journey experienced through the individual body and the group collective. From the external to the internal – it explores one’s search for the light and the truth. Past Forward seeks to establish a relevant dialogue, through the harmonisation of dance, music and stagecraft that represents the past, the present, and the future.

Leela Samson is an internationally acclaimed dancer, teacher, writer and choreographer of bharata natyam – a traditional dance form of India. She has been deeply influenced by the visionary Rukmini Devi Arundale, who founded Kalakshetra. Over many years of independent work, her dance has metamorphosed from the best of her alma mater into a unique personal expression, which is unostentatious, serene and joyful. A well loved and respected teacher internationally, she is the recipient of several honours from the Sanskiti and Kalaimamani to the Sangeet Natak Akademi and Padmashri awards.

Spanda, which means a vibration or pulse, symbolic of the perpetual energy that is the life force of the universe – was created in 1995 and represents works conceived and choreographed by Leela Samson. Constantly evolving, Spanda deliberates text, musical traditions and movement vocabulary that showcases the amazing art of bharata natyam. Through an exploration of group dynamics in bharata natyam, Spanda rediscovers learnt vocabulary, whilst retaining the geometry, the variety and grammar of this art form by reducing movement to its purest expression.