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	<title>sydhwaney.com &#187; rajhesh vaidhya</title>
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		<title>Rapturously Rajhnatic</title>
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		<pubDate>Sun, 18 Apr 2010 12:27:04 +0000</pubDate>
		<dc:creator>Sumathi</dc:creator>
				<category><![CDATA[Sumi's Musings]]></category>
		<category><![CDATA[carnatic fusion]]></category>
		<category><![CDATA[rajhesh vaidhya]]></category>
		<category><![CDATA[veena]]></category>

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		<description><![CDATA[Never a dull moment. Carnatic Music in the hands of the Veena maestro Rajhesh Vaidhya turns this century old instrument and its music, into a modern day work of art.  Rajhesh Vaidhya like a chameleon produced ever changing sounds that were thought unlikely on the veena, from subtle gamakas to frantic theermanams with touches of guitar chords to bass guitar immitations interspersed with subtle sitar like meend work. He showed all and almost every aspect of string work establishing his technical command and the place of the veena as the king of all instruments rightfully. Deftly using both hands with equal efficiency Rajhesh Vaidhya captured the attention of its audience from the word go.  With a generous following of rhythmic percussionists, who played in sync, with and without each other, he conquered Sydney. Few musicians like to give exposure to local talents however Rajhesh included Janakan Suthanthiraraj on Kanjira and Jeiram Jagatheesan on Moorsing, both young sydney artists, both were given plenty of opportunity to perform solo sections during the thani avarthanam.    Uncompromisingly establishing the beautiful sounds of the veena the concert started with a sloka rendition in Ragam Charukesi followed by a varnam composed by Balamurali Krishna. Mixing [...]]]></description>
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		<title>Interview with Rajhesh Vaidhya</title>
		<link>http://sydhwaney.com/profound-rajhesh-vaidhya/</link>
		<comments>http://sydhwaney.com/profound-rajhesh-vaidhya/#comments</comments>
		<pubDate>Sat, 13 Mar 2010 20:29:37 +0000</pubDate>
		<dc:creator>Sumathi</dc:creator>
				<category><![CDATA[Interviews]]></category>
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		<category><![CDATA[Carnatic Music]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[innovative music]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[rajhesh vaidhya]]></category>
		<category><![CDATA[Sydney]]></category>
		<category><![CDATA[veena]]></category>

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		<description><![CDATA[Sydhwaney Interview with Rajhesh Vaidhya BOOK YOUR TICKETS ONLINE GO HERE As most of you will be aware, Kamban Kazhagam Australia promotes the development of the three components of Tamil language in the form of Literature in prose and verse, Music and Theatricals. Following the successful musical concert (‘Isai Velvi 2008’) by, ‘Kalaimamani’ Nithyasree Mahadevan, we now present another enchanting musical program in the form of ‘Singing Strings’ (‘Isai Velvi’) by a great exponent of Carnatic Music of modern days Veena Maestro Rajhesh Vaidhya. Listen to a Traditional Alapanai Here Rajhesh is not new to many of us in Australia. He was brought up in a rich musical environment, where his father Sri K.M. Vaidyanathan was a stalwart both in Mridangam and Ghatam He also had his advanced training from the world-renowned Carnatic Veena maestro Shri Chitti Babu. Rajesh’s previous visits to Sydney have been memorable moments in which he captured the hearts of thousands of music lovers with his blistering speed on Veena, use of electric and amplified strings and scintillating music. Within the Veena and south Indian music tradition, he is undoubtedly one of the most intriguing and technically beguiling artistes. Rajhesh Vaidhya is not only a renowned musician in India, [...]]]></description>
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