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	<title>sydhwaney.com &#187; classical</title>
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	<description>Sounds From Sydney - Your portal of Indian Classical Music and Dance in Australia</description>
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		<title>Art Gallery Attractions &#8216;Manjiri and Ramani&#8217;</title>
		<link>http://sydhwaney.com/art-gallery/</link>
		<comments>http://sydhwaney.com/art-gallery/#comments</comments>
		<pubDate>Mon, 23 Nov 2009 17:53:47 +0000</pubDate>
		<dc:creator>sydhwaney</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Sumi's Musings]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Art Gallery of NSW]]></category>
		<category><![CDATA[classical]]></category>
		<category><![CDATA[complex ragas]]></category>
		<category><![CDATA[energetic]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[soul searching]]></category>

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		<description><![CDATA[    LISTEN TO MANJIRI HERE - Please double click to listen and continue reading.. Seen above performing at the Royal Albert Hall in Proms 2009, interviewing Manjiri Asanare-Kelkar   a Hindustani vocalist was easy from the word go. Unpretentious and modern, Manjiri is very much a persona of the upcoming musician in India today. She shall in an act supported by her accompanying artists on percussion tabla and the Harmonium similar to a Trio ensemble present vocal music within the subtle dimension of a raga, a melodic stretch of musical notes so intricately arranged and extemporized that it is entrancing and momentous. Sydhwaney asked Manjiri which ragas she likes to sing and what is about a raga that she loves ? Manjiri said: There are some basic ragas that are her favourites like Bihag, Bhoop, Yaman etc. But there are also some complex ragas or melodic schemes that are stimulating to deal with. When asked to elaborate what and how she defines a complex raga Manjiri said that complex ragas can be a combination of two ragas such as Bhoop Nat are easy to understand. The other variety of complex ragas are those where one can see many shades of many different [...]]]></description>
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		<title>Fusion, Confusion, Tricks and Gigs</title>
		<link>http://sydhwaney.com/musings-fusion-confusion-tricks-or-gigs/</link>
		<comments>http://sydhwaney.com/musings-fusion-confusion-tricks-or-gigs/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 12:15:07 +0000</pubDate>
		<dc:creator>sydhwaney</dc:creator>
				<category><![CDATA[Sumi's Musings]]></category>
		<category><![CDATA[Balasai]]></category>
		<category><![CDATA[Bobby Singh]]></category>
		<category><![CDATA[classical]]></category>
		<category><![CDATA[creative]]></category>
		<category><![CDATA[fusion]]></category>
		<category><![CDATA[genre]]></category>
		<category><![CDATA[George Harrison]]></category>
		<category><![CDATA[gig]]></category>
		<category><![CDATA[Kaaraikudi Mani Iyer]]></category>
		<category><![CDATA[mridangam]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Sandy Evans]]></category>
		<category><![CDATA[Sarangan]]></category>
		<category><![CDATA[violin]]></category>
		<category><![CDATA[Yehudi Menuhin]]></category>
		<category><![CDATA[Zakir Hussain]]></category>

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		<description><![CDATA[After the recent spate of classical mixes heard in Sydney during the weekend of the 8 November and 9 November I cannot&#160; but help muse about the future of Indian Classical Music. Recently there has been an increasing awareness of Classical music systems, generally whether Indian or Western. Despite mourning organisations worldwide complaining about the sad&#160; non profitability of these collaborations Perhaps out of the frustration built up over a century or more or perhaps it is the result of globalisation or better still may be there is a cross cultural dialogue happening in different layers and regions out of which Classical mixes like no other is developing.. what better term but Raga Gigs!! This new genre I hasten to add does not depart from the Indian Classical systems&#160; too far. Such ventures have been seen in the past. Such as the collaboration between Ravi Shankar and George Harrison; and&#160; L Subrahmaniam and Yehudin Menuhin may be in the 1960&#8242;s. Whilst these ventures popularised the Raga in the Western World. Now we see a different trend where music is being explored with more confidence and yet ever so delicately. Dr L Subrahmaniam performs with his son Ambi Subramaniam in a [...]]]></description>
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