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	<title>sydhwaney.com &#187; arungetram</title>
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		<title>A Rare Tabla Arungetram</title>
		<link>http://sydhwaney.com/a-rare-tabla-arungetram/</link>
		<comments>http://sydhwaney.com/a-rare-tabla-arungetram/#comments</comments>
		<pubDate>Sat, 06 Mar 2010 20:35:53 +0000</pubDate>
		<dc:creator>Sumathi</dc:creator>
				<category><![CDATA[Sumi's Musings]]></category>
		<category><![CDATA[arungetram]]></category>
		<category><![CDATA[Iyankaran]]></category>
		<category><![CDATA[Kala Ramnath]]></category>
		<category><![CDATA[solo]]></category>
		<category><![CDATA[Sydney]]></category>
		<category><![CDATA[tabla]]></category>
		<category><![CDATA[Yogesh Samsi]]></category>

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		<description><![CDATA[The debut performance of Iyankaran under the watchful eyes of Guru Yogesh Samsi and Pandit Ramchandra Suman had all the hall marks of a success story that is derived only with thorough dedication and interest. Iyankaran maintained the interests of his audiences through out an evening that weaved magic. Showing great potential and some exemplary layakari in the first half accompanied by Sandeep Mishra on the Sarangi, the programme commenced with the blessings of Ramchandra Suman who said that this artform only comes to those who show &#8220;Shakti, Bhakti and Gyaan&#8221;. Iyankaran rhythmic composition, a &#8216;Peshkar&#8217; was rendered to the accompaniment of  Sandeep Mishra&#8217;s Sarangi set to a melodic theme in Raag Vachaspati in madhya laya Teen Taal that progressed in tempo with several Kayadhas and Reylas. Iyankaran&#8217;s rhythmic demo of the jumping deer, the lazy boy who was cajoled into getting out of bed by his mother and other similar expressions will hopefully endear many more to this artform. MORE PHOTOS HERE The second half consisted of Iyankaran showing his capacity to be equally efficient as an accompanist to the internationally renowned Kala Ramnath of Mewati Gharana. This innovative violinist is not new to Australia. She was credited by [...]]]></description>
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