Why Sydhwaney Productions ?
Artistic Director, Curator, Producer, Conciever, Singer, what ever the term may be, essentially she loves to put on a show, to compose, to challenge and extend boundaries and to move into zones out of her comfort zone. In doing so, she sometimes causes others to move out of their comfort zones. It may feel like a struggle at a point in time, but some where there is a confluence of ideas and movement of hearts and minds, when the work begins to reflect a oneness …. that is her place, her nation, her identity, her empowerment …
Raja Ravi Varma Coil Thampuran’s paintings remind one of the ethereal beauty of Indian women, beautiful sari-clad. His paintings depicted women from different walks of life including Indian mythological characters with the brush stroke that is so exquisite it leaves an impression on a viewer of no less than that of De Vinci’s Monalisa.
Conceived and created by Sumathi Krishnan, a local classical vocalist, she teamed up with cellist John Napier and Aruna Gandhi, a Bharathanatyam dancer, student of the Padmasree Sudharani Raghupathy a couple of months ago to present the Dreaming Damsel at the Anywhere Festival 2015 partnered by the Parramatta City Council and the Parramatta & District Historical Society.
The production brought to life the paintings of Raja Ravi Varma in the quaint surrounds of the Hambledon Cottage built in early 1800’s. Under the 200 year old cork tree and the back drop of the Cottage the production weaved the dreams of Raja Ravi Varma’s damsels.
Mimesis – a word with a classical pedigree. The imitation of life in art and literature.
As the sun set on 31 August 2018, and the skies opened up and suburban Sydney was awash with a heavy splash from the skies, a few interested people came together and experienced ‘Mimesis- Meghendra Indra’, an intercultural art performance presented by Shrikant Subramaniam-dancer, raconteur and choreographer from the UK.
Embedded in the rich tradition of Bharatanatyam and an eclectic mix of classical Indian Carnatic and Hindustani music, along with sound scapes of West African origin, Shrikant Subramaniam wove a beautiful tapestry of a particular narrative about Indra – the God of War from the Vedic times in India.
Presided over by Associate Professor Kalpana Ram, Department of Anthropology, Director of India Research Centre, Faculty of Arts, Macquarie University and Dr Shanti Raman, Pediatrician Western Sydney Community Health, Bharathanatyam dancer and Dance Enthusiast.
Artists are constantly travelling today in the age of Globalisation. New paradigms in the field of theatre, dance, film, photography, sculpture and painting are constantly emerging and evolving in the blink of an eye.
What do these new paradigms create within us? Do they complicate our associations with the past practices? Do they supersede the notions of the past?
Or do they dovetail our thoughts of the past with the present and help artists to speak in different tongues both local and global ?
Opening Ceremony of Parramasala Parade features many different migrant cultures and communities of Western Sydney. The parade is lead by the Traditional Owners of the Land and the NSW Police Band. A colourful parade with elephants, camels and several floats, drummers, dancers, singers, acrobats and more, the parade is fun family event bringing various cultures together.
The parade shall conclude in a dynamic and amazing Parade Finale.
The Opening Ceremony and Parade Finale showcases Traditional Indigenous artists Burrangilli-Yilby otherwise known as Lex from the Darug Tribe, who brought his family. Select talented singers and dancers, Swastik School of Dance and Indonesian Group Dancers, Sankharidma dancers and drummers from Sri Lanka, African dancer and drummers Lucky Lartey all artists based in Western Sydney collaborated with the NSW Police Band, under the curation and music direction of Sumathi Krishnan.
Designed in such a way that all dancers, drummers and community members will be able to join in, the grand finale held a promise of a beautiful tomorrow for all cultures who have made Australia their second home.
Cielo Vivo brought the sounds of beautiful Sephardi songs, flamenco dance and electric world rhythms entwined in the poetry of Garcia Lorca. Inspired by proud cultures that express life as a celebration of survival, Cielo Vivo draw from their collective Sephardi, Arabic, Turkish and Spanish ancestries with bold ideas from a unique contemporary Australian vantage. Led by award-winning flamenco-contemporary dancer, Annalouise Paul and featuring Sephardi singer, Dahlia Dior and musicians Robin Morgan on flamenco guitarist and multi-instrumentalist, Peter Kennard. Sumathi curated Cielo Vivofor Parramasala 2015 in the Lennox theatre with standing ovations.
Ramayana – The Lord of the Ring, is the epic story of the Monkey God Hanuman, who takes the ring from Rama to reach it to Sita, Rama’s consort kidnapped by the evil Asura Ravana. Curated by Sumathi Krishnan, this production was a joint collaboration of the NSW Balinese Community and Rasika Dance Academy of Indian Classical Dance, under the Direction of Manjula Venkat and members of the NSW Balinese Community
In a uniquely new commissioned work for Parramasala 2017. This production is a Indian/Balinese cultural collaboration. With a cast of 50 local and international artists, 20 Gammelan and South Indian Classical musicians; 30 Kecak, Bharathanatyam and Indonesian dancers, the production will be a visually colourful musical dance drama depicting the epic story common to both cultures in Ramayana– The Lord of the Ring.
Fire and Earth – Presented in Parramasala 2015 – Curated by Sumathi Krishnan, this production was a joint collaboration of Indian Dance Schools with Burlesque Dancer and NSW Fire Fighters.
Fire and Earth have a deep spiritual significance in cultures all around the world, balancing the cycle of creation and destruction.
In one of its first – Fire and Earth – used the multicultural medium of Indian Classical dance and music to send out a mainstream cause based positive message on the importance of Fire and its deep rooted connection to our lives.
The finale brought all the 50 dancers to the fore with Marlena Dali, who joined them in an acrobatic fire dance. The tarana is an explosion of rhythm as all the dancers combine to express their joy in creation through the elements of fire and earth that is the source of all life.
Welcoming Inspector Kernin Lambert & Officers, Duty Commander Parramatta, Fire and Rescue NSW, Master of Ceremonies and Coordinating Director of this event Hamsa Venkat concluded the show with these words:
“We look upon our vocation as defending from fire a piece of art that has beautified the world, the piece of art being, humankind, the human being considered the ultimate creation and work of God on earth” the words of fireman Chief Edward. F. Croker. For more –
iPop Flamenco – Pop-Up Flamenco – Curated by Sumathi Krishnan – Kathak and flamenco are believed to have common origins which can be seen in the similarity in their technique and the percussive footwork. Under the choreography and direction of Annalouise Paul, local dance schools Ruchi Sanghi Dance Company, Hathor Dance Theatre and Flamenco Red came together for this hugely celebrated crowd pleaser!
Yoga and Meditation in the Park
Six vocals joined yoga practitioners to lend live meditative music on a fresh Sunday morning during Parramasala 2016. Produced by Sydhwaney Productions
Sydhwaney Productions curated three shows at the Lennox Theatre in 2013.
Padmabhushan CV Chandrasekhar presented Festival his creation – ‘the Splendour of Creation’. Despite being such an accomplished artist teacher choreographer and a multi talented singer and dancer, Sir CVC as we all called him touched every one with his humility.
Firstly agreeing to perform at such short notice and secondly agreeing to perform with local artists.
The orchestra consisting of three amazing local artists under the guidance of Sir CVC flourished adding the right musical nuances to the splendour of creation as Sir CVC took the audience into the lap of nature, the beauty of life, the sadness torment and fear that paralysis humans. Yet the human spirit remains undying ever flowering despite the thunderous clouds and its man made miseries.
Sir CVC’s bhavam ridden perfect postures, exquisite choreography was a treat to behold. His expression stays with me even today. Every student of dance in the world should spend at least some time with this awesome humble and great teacher.
Pallavarajan Nagendran on Mridangam provided accurate and aesthetically pleasing rhythmic support on the mridangam, Kranthi Kiran Mudigonda on Violin provided that emotional impact to Sir CVC’s bhavam as he danced like the love birds or the swimming dolphins, Chidambaram R Suresh choreographic nattavangam added amazing sound scape whether it was to show the slow roll of the oncoming dark clouds or the flight of birds. The three musicians made up for a complete orchestral act for Sir CVC.
Sponsored and supported by his students Suresh and Shobana of the Samarpana School of Dance who had worked hard to organise all his travel arrangements, lecture demonstrations and another show the following week, Parramasala’s height of artistic talent was displayed by Sir CVC with little pomp and show.
This tall act of Sir CVC was followed by ‘Moving celebrations’ Vaibhavom. A collaboration between visiting artists from India and locally talented dancers the artists were Shobana Balachandra and Gayathri Krishnamurthy, Anu Krishnamurthy and Krithikaa Shurajit. Following the lineage of the great Dhananjayans, the dancers commenced with an invocation to Ganesha and progressed through the evening with various stories of Krishna.
The concluding piece ”Pandha Attam’ in Mohiniattam by Anu and Krithikaa was a popular favourite. A common enough theme that reached out to audiences from various cultural backgrounds. To see the experienced dancers and sisters Shobana and Gayathri was once again a treat. They executed their pieces with precision coordination and imaginative choreography.
The next act for the evening after the voice of Suprano Heather Lee and her artists had hit the Lennox theatre providing a cultural mix that sat aesthetically well in the space of the Lennox came the vibrant and energetic Sufi Qawwals. Lead by the canadian Sufi Qawwal and local artists this was another act where international and australian artists collaborated to bring the Allah Hoo !! composition of Bulleh Shah alive. Dressed with the opening poem written by Raza Alvi the show went off to a great start. The Qawwals explored a variety of famous songs hitting fever pitch with Dama Dam Mast Kalandar.